Imprints

CONOR GREEN, KAT SANDLER, AND COSETTE DEROME IN IMPRINTS
Photo: Michael Cooper
Review: IMPRINTS
by LYNN SLOTKIN on NOVEMBER 18, 2011
in THE PASSIONATE PLAYGOER
At the Factory Studio Theatre. Written by Michael Spence. Directed by Jacquie P.A. Thomas. Set by Michael Spence. Costumes by Sheree Tams. Lighting by Laird Macdonald. Starring: Stephanie Belding, Cosette Derome, Conor Green, Ron Kennell, Kat Sandler, and Michael Spence. At the Factory Studio Theatre until November 20, 2011

Produced by Theatre Gargantua in association with Factory Theatre.

Theatre Gargantua is a fascinating company that uses a highly physical performance style to explore thought provoking subjects. They performed one production in which the cast was suspended on ropes. Another explored the murky world of computers, technology and identity in which the whole set seemed to be the inside of a computer.

In their latest production, IMPRINTS, the company delves into the world of ancestry, genetic memory and ghostly inheritance (Imprints) from the point of view of Lily. Lily is sick with a mysterious disease that seems to have been passed down through her family for many generations. She is undertaking an experimental procedure that will leave her body in limbo until a cure can be found. But rather than dreamily existing in that limbo world, she is thrown into a fantastical Alice in Wonderland World. There she is bedeviled by swooping black bird-like spirits; the ghost of her father; and the raging apparition of a man who has been seeking revenge on Lily’s family for what seems centuries. Some distant ancestor of Lily’s family was responsible for the death of this vengeful man’s children and he has been troubling Lily’s various ancestors ever since.

The idea of inheriting through our genes, not only our physical traits from previous generations, but also responsibility for previous generations’ wrong-doing, for example, is a fascinating notion. And it’s typical of the depth of thought that suffuses the work of Theatre Gargantua and its resident playwright, Michael Spence.

Also typical is the arresting physicality of its productions. Director Jacquie P.A. Thomas has such a clear eye for the startling image. As Lily stands in this murky limbo world, wondering where she is, she is swooped upon by apparitions in black, arms/wings streaming black strips around her.

In another scene the raging spirit from her ancestor’s days comes in close, growling his anger, frightening her, and us. A great swath of material is billowed up and over her and she tramples on it. The image is arresting.

Later a cascade of sand falls in a shower down from the flies, forming a large mound of sand on the stage. Light shimmers on the stage in front of the sand giving the effect of small waves lapping onto a sandy beach. Breathtaking

As Lily, Stephanie Belding is that wonderful mix of bewildered by what is happening to her, and quietly strong in meeting these demons. As the vengeful spirit, Ron Kennell is compelling, fierce and even moving. The ensemble work is impeccable. The company works on each show methodically and meticulously over a two year period. The result is always a production that is intriguing, thought provoking, poetic and embracing.

IMPRINTS plays at the Factory Studio Theatre, 126 Bathurst St. until November 26.
Factory Studio Box Office: 416-504-9971

Photo by: Michael Cooper
THEATRE REVIEW: Globe and Mail Newspaper
Imprints is a harrowing trip down the rabbit hole
by Paula Citron

Published Monday, Nov. 14, 2011 4:51PM EST

Theatre Gargantua is top-of-the-line when it comes to multidisciplinary works. Every production is filled with dazzling technical wizardry and imaginative physicality, and the subject matter is always provocative.

At the heart of Theatre Gargantua is the talented husband and wife team of director Jacquie P.A. Thomas and playwright/set designer Michael Spence. They spearhead the original productions that are the company’s stock in trade, created with input from both the creative team and acting ensemble.

The new show Imprints is inspired both by genetic coding and Alice in Wonderland, a sort of a DNA trip down the rabbit hole.

Lily (Stephanie Belding) has a life-threatening disease. At the beginning of the play, we see a close-up film shot of a doctor and a nurse bending over Lily from her point of view lying on a gurney. She’s about to be cryogenically frozen until a cure can be found.

The doctor assures Lily that this icy sleep is a state of oblivion, but nothing could be further from the truth. And so we get to the crux of Spence’s play (dramaturgy by Bruce Barton). Being frozen means you meet the ghosts of your ancestors, and it is a harrowing journey.

Spence has certainly come up with an intriguing premise for theatrical exploration. Our DNA is the sum total of every human in our line of descent. When Lily enters her DNA, she meets a bizarre cast of characters from her evolutionary lineage and, in the process, discovers what created her genetic disorder. It is an ugly story involving incest and murder.

There is humour in Spence’s dialogue stemming mostly from Lily’s modern-day reaction, both verbally and intellectually, to these genetic ghosts – a collision of cultures, as it were. Belding portrays Lily’s bewilderment with appropriate fear laced with curiosity.

Ron Kennell is a murderous figure bent on vengeance for past crimes, and he is a strong presence onstage. More benign is Spence as a Mad Hatter/Cheshire Cat genetic guide living in a tree and spouting elliptical poetry.

Then there are Cosette Derome, Conor Green and Kat Sandler as annoying Tweedledum and Tweedledee clones, albeit a trio, who sow mayhem and confusion in Lily’s path. They slyly drop hints of dark tidings to come without giving details, all of which adds to Lily’s anxiety.

One of the glories of Imprints is Cameron Davis’s black and white projections. One stunning image, for example, has videos of the other actors superimposed on Belding’s face, instantaneously changing her persona, yet keeping her individuality intact at the same time.

Laird Macdonald’s precision lighting keeps the black-box stage set intact. He pinpoints what must be seen, while obscuring what shouldn’t be seen. In fact, the way the projections and lights work together is masterful. The use of physical bodies and an a capella soundtrack help to drive Lily’s journey down the DNA highway.

Physical movement is always important in a Theatre Gargantua show. For example, at each new step down the DNA highway, Lily’s body convulses and thrusts forward. The bad-news trio, for lack of a better name, execute intricate entanglement of their bodies.

Director Thomas has also added cunning use of black draperies. At one point, Belding wears a long black cape, which, after clever manipulation by the actors, reveals Green as a male incarnation of Lily, and Belding nowhere in sight.

Also compelling is the live soundtrack devised by Thomas and the acting ensemble that includes rhythmic chanting and a capella singing. Layered under these eerie, otherworldly noises is the atmospheric electronica sound design of Michael Laird and William Fallon.

There is one weakness in the script, but it emanates out of the structure of the story and may be unavoidable. There is too much of Lily saying, “Where am I?”, “What’s happening?”, “I don’t understand.” It takes a trifle too long for Spence to get to explanations.

Nonetheless, there is never a dull moment onstage in a Theatre Gargantua production.

Imprints continues until Nov. 26.

Imprints

Theatre Gargantua
in association with Factory Theatre presents the WORLD PREMIERE of
IMPRINTS
A new play by Michael Spence
Directed by Theatre Gargantua Artistic Director Jacquie P.A. Thomas
Starring Stephanie Belding, Cosette Derome, Conor Green, Ron Kennell, Kat Sandler, Michael Spence
Dramaturgy by Bruce Barton, Designed by Cameron Davis, Laird Macdonald,
Michael Spence, Sheree Tams, Michael Laird and William Fallon
Previews from November 9, Opens November 11 and runs to November 26, 2011
Factory Studio Theatre, 125 Bathurst Street
Preview Performances: Wed Nov. 9 at 6:30pm and 9:30pm; Thurs. Nov. 10 at 8pm
Regular Performances: Thurs – Sat at 8pm; Additional shows Sun Nov. 13 at 2:30pm & Tues Nov. 15 at 8pm
Previews $17; Tues & Thurs $20; Fri & Sat $25 (Discounts available for students, seniors, groups, equity)
For tickets, contact the Factory Theatre box office at 416-504-9971 or visit www.theatregargantua.ca

Theatre Gargantua Presents: IMPRINTS

November 9 to 26, 2011, at Factory Studio Theatre, 125 Bathurst Street
www.factorytheatre.ca or www.theatregargantua.ca